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Archive name: bio4.txt (M+/F+, exh, orgy)
Authors name: Lor Oldmann (jamwad@hotmail.com)
Story title : Potted Biographies: Dumas and Hugo

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Potted Biographies: Dumas and Hugo (M+/F+, exh, orgy)
by Lor Oldmann (jamwad@hotmail.com)

***

Another imaginative biographical contribution to cosmic 
culture in the form of the proposition that the shortest 
distance between two authors is a bent lineage.

***

  Dumas they come!
  Hugo - I've just bin there!

There is absolutely no doubt about it: the two greatest 
novelists of all time were Victor Marie Hugo (1802-85) 
and Alexandre Dumas (1802-70). There is nothing in 
English literature to compare with the stark reality of 
'Les Miserables' or the bold swashbuckling romanticism of 
'The Three Musketeers'. The nearest approach is made by 
Sir Walter Scott and Charles Dickens.

Unfortunately Scott was incapable of putting pen to paper 
without going on an ego trip, and every Dickens character 
is a caricature. As one famous Hollywood producer 
declared, "Films of stuff by Hugo and Dumas make 
themselves." Another found Scott "Too boring for the box 
office!" Yet another claimed that the most difficult task 
in adapting Dickens for the screen was in giving his 
characters flesh and blood and in making them believable. 

"Porn oozes from every pore of Dumas and Hugo," declared 
an American screen writer, "whereas sex is an 
embarrassment to Walter Scott and an implied aside for 
Charles Dickens."

The most exciting thing, meanwhile, to come from the 
German language is the bowdlerised version of Mein Kampf. 
And one critic suggested 'Il nome della rosa' by Umberto 
Eco as the greatest Italian novel ever! Enough said. The 
fact is: it is a two horse race; the novel is a French 
art form! And Hugo and Dumas are the masters.

Behind every great master there are several mistresses. 
It would appear so very pronouncedly in this case. Victor 
Hugo led an immaculate life as a nice clean little French 
non-Jewish schoolboy who obeyed his father (when that 
great man opted to put in an appearance at home, for he 
was anything but a good, well-behaved, non-fornicating 
Frenchman) and followed his dear mama and her apron 
strings everywhere. He was a virgin, as pure as the 
undriven snow, when, at the age of twenty, he married 
Sweet Adele Foucher.

She was not a virgin and had not been since her 
fourteenth birthday party. Nor was Victor's brother, 
Eugene, who was as daft as a toilet brush. Eugene had 
already slept with Adele (many times). There is a strong 
possibility that he made use of her body oftener, out of 
wedlock, than Victor did in it. On the day Victor and 
Adele were married, Eugene flipped the lid altogether and 
had to be put into a lunatic asylum from which he never 
emerged. Victor could well have followed him there when 
his dear wife, in one of her many bouts of almost insane 
petulance in the early days of married life, explained 
why!

Victor Hugo, despite this, was a model husband until 
Adele started having headaches, almost every night. And 
almost every other night she was having a sordid little 
rough and tumble with near relatives and friends, 
neighbours and acquaintances, servants and trades people. 
The most nearly permanent of these sexual wrestling 
matches was with a very close friend of her husband, the 
very much respected Charles-Augustin Sainte-Beuve. The 
cuckold husband was shocked and surprised. Sainte-Beuve 
was a notoriously lazy and incompetent bastard; the 
wonder was that he knew how and took the trouble to lift 
a lady's skirt. The husband forgave the pair.

Victor Hugo, however, retaliated by laying women left, 
right and centre, high and low, rich and poor, here, 
there and everywhere. When he sought refuge in Belgium 
after the coup d'etat by Louis Napoleon his sexual 
prowess became legendary until certain husbands and 
fathers expressed regrets and he was forced to flee the 
country. Later legend has it that the quick exit was for 
political reasons - that he was harbouring refugees in 
the way that a common cur harbours fleas!

He sought asylum in Jersey in the Channel Islands and was 
politely asked to leave because of his outrageous sexual 
behaviour there. It is said that following these 
incidents his sexual activity always followed a clearly 
definable pattern: if they wore a skirt, he'd have them.

The two affairs of his love life that gave him deepest 
satisfaction were those involving the extremely popular 
young actress Juliette Drouet and the famous society 
hostess Leonie d'Annet both of whom provided him with his 
most powerful inspiration. And who could ask more than 
that?

It was this Juliette who declared, "I never imagined 
there were so many ways of making love, until I tried 
them all with Victor Hugo!" And Leonie decided, "Never 
would I have believed a man capable of doing anything so 
often and so thoroughly."

The one really enduring love affair, however, was with 
his maid, Blanche Lavin. It was after a particularly 
passionate session with Blanche that Victor Hugo died of 
a stroke in his 83rd. year! And a nation, quite rightly, 
mourned. Over two million people attended his funeral, 
four fifths of whom, it is said, were women. 

After his death, hundreds of women in Paris claimed to 
have been seduced by him, some claimed to have been made 
pregnant by him, a few even claimed that he had 
bigamously married them. All agreed that he was one 
helluva lover. One male friend demanded, after a 
violently passionate affair with the ugliest woman in 
Paris, how he could make love to such a grotesque face.

"Quite easily," replied Victor avec aplomb, "and to her 
other parts with equal ease!"

Victor Hugo had always been interested in fairy lore, 
spiritism and the occult. He himself claimed that he 
obtained the title for 'Les Miserables' from a crude form 
of Ouija board, and that the character of Quasimodo came 
to him in a s‚ance. 'Les Miserables' was placed on the 
Papal Index of Proscribed Books, ostensibly because of 
this, but in reality because in it he dared suggest that 
there could be such a thing as an evil priest and that a 
priest could be capable of such an enormous sin as female 
child abuse.

Victor Hugo was one of the greatest literary figures in 
history. He was also one of the most thoroughly honest 
men who ever lived. He made no excuses for his enormous 
sexual appetite, and did not pretend that his many 
affairs with married women were mere urban myths. He made 
enemies because he exposed their hypocrisy and corruption 
in politics and religion. He did not skulk into a sleazy 
down-town brothel for his kicks, or find sexual 
satisfaction up the backside of a choirboy like many of 
his critics. His sexual philosophy is plain and is 
clearly stated in his poetry:

   You want to fuck? Let's fuck!
   You don't want to fuck? Then fuck off!

It may not rhyme, but who cares?

There was definitely something in the air in France at 
the beginning of the 19th. century. Alexandre Dumas Davy 
de la Pailleterie was born in the same year as Victor 
Hugo. Within two years either side of 1802, no fewer than 
twenty famous Frenchmen took their first breath of life; 
among them was a mathematician, physicians and surgeons, 
a world renowned chemist, a theoretical physicist, an 
encyclopaedist, a famous artist, a theologian and an 
educationist. And the remarkable thing is that they were, 
every one of them, utterly randy bastards who each 
produced on average fifteen illegitimate children.

Dumas was the son of a general in Napoleon's 'Great Army' 
and grandson of a minor nobleman who held an official 
post in the French colony of Santo Domingo. Both men were 
hyperactive when it came to matters of sex. His mother 
was a rather loose-living daughter of an innkeeper and 
his grandmother was a black slave of Afro-Caribbean 
origin who bordered on nymphomania. Both women were 
insatiable in their sexual relationships. The mixture of 
race and social class and the fusion of inflamed libidos 
was to prove explosive. 

All these main roots showed in the life and work of the 
novelist. Indeed, his life was every bit as thoroughly 
exciting and as full of adventure as anything in his 
novels.

Unlike Victor Hugo, Alexandre Dumas was no schoolboy 
virgin. He had his first serious sex at the age of eleven 
with a girl of sixteen. He had his first illegitimate 
child while still in his teens. By his late teens he was 
known popularly as 'Le Stud'.

Popular legend accredits him with about fifty 
illegitimate children; twenty three positive hits can be 
identified while he admitted to only three, the most 
famous being Alexandre Dumas Fils whose mother was a 
seamstress and who was conceived while the father was 
twenty and completely pissed out of his mind. This son 
grew into a pious little prick who became a writer and 
dramatist like his more famous father, but who disowned 
his father's life style and bored people sick moralising 
about it.

One story about this pallid little bastard should 
suffice. He was attending a scholarly and charitable 
function in the house of a filthy rich patroness of the 
arts when she offered him brandy. He held up his hands in 
horror.

"Strong drink. Madame!" he exclaimed in his prissiest 
voice. "I would sooner commit adultery!"

"Fair enough," replied the famous hostess, and ripped off 
her clothes.

And Dumas fils fled for his life, and for the 
preservation of his virtue, from the house.

Not so with Dumas, the father. He discovered his wife in 
bed with his very close friend Roger de Beauvoir. The 
offending pair were upset and obviously embarrassed at 
being 'uncovered' until Dumas stripped and said, "Move 
over! Make room! It's a cold night. Is there anything 
left for me?" The irony is that Dumas had just left the 
bed of another close friend's wife. That's the kind of 
people they were at that time. Thank goodness we are much 
more well-behaved and civilised.

Dumas married the actress Ida Ferrier in 1840, had an 
intense sex session with her, spent her entire fortune, 
then left her shortly afterwards. He made lots of money 
from his own work but spent it twice as fast as he earned 
it. He built the pretentious chateau de Monte Cristo 
outside Paris, he bought fabulous works of art, gave 
liberally to many charities, squandered lots of cash on 
friends and mistresses and prostitutes. Once asked to 
contribute 25 francs to help pay for the burial of a 
bailiff, he gave 50 francs in the hope that it would help 
bury two bailiffs. 

He took a leading part in the Revolution of 1830, 
supported Garibaldi in his struggle for Italian 
independence, went to Russia and advocated the abolition 
of serfdom. He added his considerable weight in support 
of black rights in America. Mindful of his own roots and 
aware of his own colour - he was always regarded as a 
black man and had to overcome racial prejudice in France 
and elsewhere - he was active in any struggle against 
racism, religious discrimination or political 
sectarianism.

He was one of the first men in the modern world to see 
basic human rights for the individual as a political 
issue. Long before UNESCO and WHO, he argued the case for 
free and universal education of all children and for 
social health care for the young, the sick and the 
elderly, irrespective of their socio-economic status. 

On the debit side, he quite literally had no idea of the 
value of money. Like the prostitutes who wandered the 
streets of Paris, money was a convenience that was there 
to be used only when he could not get what he wanted for 
free. He ran away from creditors wherever he went. He 
left families destitute by his failure or refusal to pay 
his debts. Never once did he hesitate and think about the 
harm he could be doing by taking goods and services 
without paying for them. Once approached by a poor 
cobbler for payment, a year late, for shoes he had made, 
Dumas exclaimed, "Christ, man! I owe a hundred times more 
to more better people than you."

Like Victor Hugo he had an enormous appetite and could 
eat at a single sitting what an entire Parisian family 
would consume in a week. Correspondingly, he drank vast 
quantities of wine and brandy and, later in his life, 
acquired a taste for vodka, gin and Irish whiskey. Like 
Victor Hugo also, Alexandre Dumas had a profound interest 
in the supernatural: voodoo, spirit writing, tarot and 
scriving. He attempted serious studies into various 
branches of scientific parapsychology, like telekinesis 
and telepathy. The modern far-fetched superhero of 
television and comic strip, characters like Batman, 
Wonder Woman, Spiderman, even James Bond, for the most 
part, were preconceived by Dumas.

There is one joint contribution by Dumas and Hugo to the 
character of one of the greatest nations on earth: they 
restored the reputation and the self-confidence of the 
French male. Until the Revolution of 1789, there is 
little doubt that the average Frenchman was regarded by 
the rest of the world as a pussy-footing effeminate who 
was far more interested in powdering his nose and popping 
real, over-ripe cherries past his painted lips than in 
popping metaphorical hymenal cherries and providing the 
Marquise de Pompadours with what they yearned for. 

Until the days of Hugo and Dumas, the great lovers were 
foreign visitors to France, Italian refugees and English 
clergymen and their like. By the end of the first quarter 
of the nineteenth century, Dumas and Hugo had become the 
rule of thumb, rather than the exception. So-called 
French kissing, and the reign of the Frenchman as the 
world's classiest lover, dates from these two literary 
geniuses. 

Vive Dumas et Hugo!

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Please keep this story, and all erotic stories out of
the hands of children. They should be outside playing
in the sunshine, not thinking about adult situations.

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