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From: David Abuhove <dabby@access.mountain.net>
Subject: The Juvenile Casting Couch #10 (D.Abby) (no sex) (10!12)
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The Juvenile Casting Couch #10 (D.Abby) (no sex) (10!12)

The following story is for adults only. It contains scenes depicting 
sex among minor children and, between minors and adults. It is entirely 
a work of fiction and the characters contained within are completely 
the figment of the authors imagination. (they do sometimes embody his 
fantasies, however.) If sexual activities among just pubescent children 
bother you, or sexual activity between just pubescent children and 
adults, I suggest you hit the back button. 

Please do not read this if you are under the age of 18 or if it is 
illegal in your community. (Can't you just see a horny twelve year old 
zipping up his pants and hitting the back button at this point. I 
should live so long.)

Copyrighted 1997 by the author.  Permission is granted to re-post this 
in any non profit archive, home page, news group, or bbs.  Please do not 
change it if you repost I spent many hours working on this and it says 
what I want it to say.

If you haven't hit the back button yet, enjoy. I would like to have 
your opinions of my work and, and while I don't promise, I usually try 
to answer my e-mail.

Dabby@access.mountain.net

                       THE JUVENILE CASTING COUCH
                               By D. Abby
 
                              Chapter - 10 

	The Oscars came. The Movie swept up every Oscar that fitted the 
category. A major surprise was that Pat didn't win best child actor, he 
won best actor. Sue took best actress. The picture took both best 
supporting actress and actor. In addition there was best production, 
best script, best directing, best editing, and even the best score. 

	Pat had another round of notoriety that he didn't like but 
handled rather well. He still made an appearance each month on a talk 
show. His love life was centered on Shirley but it wasn't exclusive by 
any means. He continued with Sarah and had occasional meetings with Sue 
and Alice. 

	In late spring they got a call from Johnny. Could they have a 
meeting after school the next day. He had about five offers for the 
summer movie. He had one that wasn't the best money offer by far, but 
it was the most interesting one. The screenplay was better than any of 
the others. Most of the scripts were bad copies of the movie Pat had 
starred in. This one was sort of a family situation comedy. There were 
allusions to sex, of course, but without any of the moral questions 
raised in Pat's previous film. This wouldn't be the world beater his 
last one had been but it was a solid script. There were other things 
that might interest them about it too. 

	Pat and Sean arrived at Johnny's office and found Sue waiting for 
them. She was interested, it would be a change of pace for her. Her 
last five movies had all been heavy dramatic productions. This one was 
light, something on the order of the old play Kiss and Tell. 

	The same team was producing it and Dick was scheduled to direct. 
Pat was offered a million dollars, but not as good a bonus clause as 
the last one. Dick and Sue both insisted that Sean be the principle 
writer. Was Sean free? Were they interested?

	Pat beamed. He wouldn't have to do some of the things that he did 
in that last one. He would be playing with Sue again and that was 
marvelous. Sean wanted to see the script first. 

	No problem, he could take it home, read it through, and let them 
know by the end of the week. Sue had read the script and thought it was 
a good start but Sean, with the help of Pat's natural sense of a twelve 
year olds reactions, could make it great. 

	Sean took two copies of the script so Pat could read it too. They 
got home and each of them sat down in the family room and started to 
read. They were so buried in the script that Robin had to turn out the 
light in the family room to get them to stop reading and eat dinner. 

	They had dinner and both of them returned to reading the script. 
Sean finished first and agreed with Sue's appraisal. It did need some 
touching up. He waited for Pat to finish reading it. Pat was mumbling 
to himself as he got to the end. 

	"All right, Pat, what's the matter. Let's see if we come up with 
the same problems." 

	"Gee, dad, I like the story, but Kenny doesn't act right half the 
time." 

	"Well so far we're in agreement, although I didn't think it was 
that bad. I thought only about ten percent of his lines didn't ring 
true. What do you think we have to do with it." 

	"Gosh, I know how some things should change to make them right, 
but some things just don't sound right and I don't know what's wrong 
with them either. I'd like to try what I did with Sue on the other 
movie, but, it wouldn't be just Sue and me. We'd have to have Kenny's 
father and the boy and girl next door in on it too. It'll be harder to 
handle that the last one was." 

	"I'll call Sue. When she's on the line, you get on the extension 
and we'll see what she has to say." 

	Pat went to the kitchen extension and Sean got Sue on her private 
number right away. 

	"Well, what do you think?" 

	"I like it but Pat has some reservations." 

	"Good, I was hoping he would." 

	"He doesn't think he can handle the problems just working with 
the script. He's on the line and wants to talk to you." 

	"Fine, what's the problem, Pat?" 

	"Well, Sue, remember how we would do a scene and I would feel 
what was right or wrong?" 

	"Sure, we did more improvisation with that script than I've done 
in years. You mean, just reading the script, you know something's wrong 
but you don't know how to correct it?" 

	"Uh, yeh, I guess that's what I'm trying to say." 

	"Whoopy, Pat, I love you! I was hoping you'd say something like 
that. I'm going to have fun doing this movie. We have a real cast of 
professionals set for this show. Let me get in touch with Dick. I'm 
going to see if we can have a week or two before shooting where all the 
leads get together and we work our way through the whole script and 
rewrite it as we go. 

	"It's mostly the cast from the last movie. I'm to be your mother 
this time, and Frank Morris plays your father. Alice will be the girl 
next door and Buddy Chance is her brother. That's the five major parts. 
We'll have Dick there and I bet we can work through it in less than two 
weeks and your father can have the script done in a week or two more." 

	Sue went to work and it was settled before the end of the week. 
As soon as school let out they were to go to a small nearby resort and 
hold a workshop until they had the lines the way they wanted them. 
Shooting would start about two weeks into July and they should be able 
to finish up before School started again. Everybody was enthusiastic. 

	Alice called and told Pat that she'd always felt left out when 
Pat and Sue had done scenes together in the last movie. Buddy called 
and said how glad he was to do that improvisation thing. He'd done a 
few scenes in some of his movies that way and it was always fun. He'd 
hung around the set of that last movie and thought it was marvelous how 
Sue and Pat did it. Frank called and added his endorsement. 

	The last week Pat managed an afternoon with Shirley in her 
garage. He also spent a half hour with Sarah on Thursday afternoon. He 
jerked off a couple of times with David over the graphics and David 
told Pat all about seeing Sarah in the shower again. Pat had a problem 
and he wanted to get his father alone. It wasn't until the day before 
school closed that Robin was out doing some shopping for clothes as she 
was going with her family on the workshop. 

	"Dad?" 

	"Uh, oh, yes, Pat, what is it? I recognize that question mark 
after my name." 

	"Uh, dad, this is embarrassing again but I guess I have to talk 
about it." 

	"I gathered as much. You waited till you mother wasn't here." 

	"You know that scene where Kenny sees Janice through the window?" 

	"Yes, I sure do. I think it's pretty cute." 

	"Dad, it's not right at all." 

	"Oh, no, don't tell me. 'That's not the way it would happen.'" 

	"Well, it wouldn't." 

	"Uh, oh, Sarah's room is right opposite yours and she doesn't 
close the drapes at night. You've been watching Sarah get undressed. Or 
am I getting too personal. This time it's obvious, I can't pretend I 
don't know. I won't ask you what you've been doing since you lost that 
job with Ms. Wollenski."

	Pat looked at his father in astonishment. His dad knew more than 
he suspected but had never let on. 

	"Uh, I guess you're right. But that's not the whole problem." 

	"All right, out with it. I promise you I won't be shocked, 
although you mother might be. Somehow I doubt she would either." 

	"Well, Sarah knows I watch. Uh, I let her see me too. If we make 
it too real she'll recognize the situation." 

	"Ah, the plot thickens. Do you want to tell me everything?" 

	"It'll be embarrassing but I guess I better. Maybe you'll know 
how to handle it." 

	Pat told his father most of the story. He left out the part about 
lapping Sarah's cunt and her sucking his cock. He wanted to leave out 
the fact that he jerked off and she finger fucked herself but he 
didn't. He blushed and stammered when he got to that part of it but 
made himself go through with it. 

	"So, since then, every night at nine o'clock we get undressed 
with our shades up. Then I, uh, oh, hell, I play with myself until she 
sees the stuff come out and she pushes her finger in and out between 
her legs until her hips jerk. Oooo! Am I glad that's over!" 

	"Pat, don't you think I know you masturbate?" 

	"Uh, I guess so, I just never thought about your knowing." 

	"Don't you think I had glasses when I was your age and peeked 
through windows?" 

	"Gee, I never thought about it. Did you?" 

	"You're damn right. I was just as normal a boy as you are. When I 
saw some girl in her underwear with those glasses, I jerked off. When I 
heard my mother and father doing things I jerked off. Just like you, I 
jerked off for any reason I could find. If there had been a girl in the 
next house willing to do what Sarah's doing, I would have done the same 
thing you do. The only problem we have is to make it natural and a 
little less than it actually is." 

	"Dad, you jerked off when you heard your parents do things too?" 

	"Sure, your mother and I never tried to keep quiet when we're 
having sex. If you didn't know what was going on, no harm was done. If 
you did and were listening we figured you could use your imagination 
and have a good time." 

	Pat sat and stared at his father in astonishment then he jumped 
up, ran over, and hugged his father. 

	"I love you. Uh, does mom know I listen too?" 

	"Of course. She's not naive. I think she knows what goes on 
between you and Sue too." 

	Pat blushed at this additional information his father was privy 
too. 

	"Uh, dad, What else do you know?" 

	This time Sean hugged Pat. 

	"Nothing for sure, except I saw Sue leaving your bedroom that 
Saturday night. It didn't take much imagination to guess what had been 
going on. She said you'd told her to 'put up or shut up'. However, I 
can make a lot of good guesses. 

	"You have done more with Sarah than you told me about. You're not 
doing anything with Ms. Wollenski but I suspect you're doing something 
with Shirley and Ms. Wollenski knows about it. I usually get your 
mother out of the way for a couple of hours when Alice visits you and, 
interestingly enough, your mother never has any objections. If you have 
anything else going, I don't know about it. What's more I don't know 
how you manage everything you have going already. I couldn't have when 
I was your age." 

	Pat looked at his father in awe. "You know everything!" 

	"Not everything, Pat, those are deductions not the results of 
spying. I'm a writer, I make my living by being observant. I think 
enough of you to observe you pretty closely. Now, back to our problem. 
Do you think you could go before the camera for a silhouette shot of 
you in the nude?" 

	Pat tilted his head and thought for a moment, "Well, I guess so, 
if they cleared the set." 

	"That sort of shot is always done on a clear set, but you know 
that there are still some people present. At any rate suppose we change 
the scene like this. You come into your bedroom. You start to undress, 
realize the light's on and turn it off before you finish undressing. 

	A light from an unknown source comes in the bedroom window. You 
go to the window, your back is to the camera. You stand there for a 
minute or so then put you hands in front of you and your hips move back 
and forth. The light goes out and you jump in your bed and the springs 
squeak. Do you think you could manage it that way. It's a lot better 
than the current script." 

	Pat ruminated for a few moments, "I guess so. It's no worse that 
what I did last time. At least this isn't as serious as that was. I 
guess its even funny. Uh, why do I think it's funny, dad?" 

	"Pat, I love you for seeing the humor of it at your age. It is 
humorous because it's so natural. Most men, even adults, would do the 
same thing but they'd be embarrassed if anyone knew it. Few men would 
admit they masturbated when they spied a nude girl in a window. That's 
the surest formula for humor. It'll bring the house down." 

	Sean and Pat had two weeks to work over the script before school 
was over. They collaborated and did some more scene doctoring but Pat 
became less and less satisfied as they got past the changes that were 
obvious to him. They were all glad when school let out.

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