WORK IN PROGRESS 03
THE MEGUMI STORIES
BY MEGUMI KATO AND FRIENDS
VOLUME 05: WORK IN PROGRESS
BY BOB WILLIAMS
ASSISTED BY MEGUMI, NORIKO, FUJIKO, AYUMI, SAEKO,
MARIKO, TAMA, MAIKO, SHIZUE, MIE, AYAKO, TOMO, YUU
AND RUMI
PART 03
CHAPTER III
The Present
Yes, I know you want to read more about Fujiko.
So here is just a scrap - a little vignette I
wrote after one of our subsequent meetings, where
I learnt more about her very unusual, and very
enjoyable, sexuality. I guess you'd like to know
about it too.
"I've brought you a present," said Fujiko, as soon as
she had arrived and taken off her coat.
"Oh, but you don't have to do that," I said anxiously,
foreseeing one of those endless chains of obligations
and counter-obligations which impel Japanese
friendships towards near-bankruptcy on both sides.
"Well, it's a present for me, really," she said with a
shy smile, "but I think you'll enjoy it too."
She pulled a smart plastic carrier from the enormous
shoulder-bag she always brought, and which I now knew
would contain a selection of whatever bondage gear and
torture equipment were her current favourites. The
carrier was white, marked with the elegant black logo
of her shop: the word "Restraint" in both English and
Japanese _katakana_ characters, and a stylised image
of a Japanese girl's eyes looking through a mask.
"Well, thank you," I said with appropriate formality,
receiving the carrier with both hands and placing it
carefully on a small table. It was for her to tell me
if she wanted me to open it in her presence. And
putting it down meant I had my hands free and could
get on with the more urgent business of holding and
stroking her.
She was wearing a white sleeveless blouse and short,
light-coloured skirt - the style she usually wore for
work in her shop. Underneath, no doubt, were the
pretty bra and panties which she would soon remove for
me with demure coquetry. But the moment I began to run
my hands lightly over her I could feel something
different.
"What's this?" I asked, turning her round so that I
could stroke her breasts conveniently. "Rope?"
"Yes ... I wear it sometimes instead of underwear,"
she said casually.
"Let me see."
My fingers undid the buttons of her blouse while she
unzipped her miniskirt. I pulled the blouse out of the
waistband just as the skirt fell to the ground. She
turned to face me, stepped out of her skirt, and threw
the blouse back over her shoulders letting it slip to
the carpet to join it. She stood before me
delightfully nude except for the narrow rope binding
and decorating her. She posed provocatively.
"One of my lovers taught me," she said, "and I often
wear it. It hardly takes any longer than putting on a
bra and panties."
She was wearing one of the commonest forms of Japanese
_shibari_ or rope bondage: a long rope doubled round
her neck - where it was hidden by the collar of her
blouse - then passing down the front of her body,
between her legs and up her back before twisting three
times round her: above her breasts, below them and
finally round her waist. It sounds complicated but it
is very simple once you see how it is done - as you can
from plenty of _shibari_ and Japanese bondage
internet sites. Or a Japanese girl will show you, as
one did me when I was new in Japan and hadn't yet
learnt how to tie Japanese girls up the way they like
best. I tested Fujiko's rope. It was taut and the
tension was even.
"Very nice," I said.
"Yes. I keep it with the knots ready tied, so I just
have to slip it over my head and do it up."
"Do you think people can tell you're wearing it?"
"Not really. Not unless they touch me - like my boss
does. He likes to feel me sometimes."
"_Etchi na hito_," I said, using the Japanese girl's
phrase - part dismissive, part appreciative - for
dirty old man.
"No, not really. I rather like it."
"Really?"
"After all, I work in a sex-shop and it's only natural
to wear one of the things we sell."
"Yes, I suppose so."
"And it's nice that my boss appreciates it. He would
like me to wear it without my blouse over the top. He
thinks it would be good advertising and bring the
customers in."
"I dare say it would. Are you going to?"
She giggled delightfully.
"Maybe one day ..."
I examined the rope again. As well as the usual knots
down her front, she had arranged two carefully placed
knots where they pressed firmly against her cunt and
her arsehole. She squirmed as I touched them.
"Ahhh ... whenever I move, even a little bit ...
lovely _manzuri_ all the time."
"_Man_ ...?" I said questioningly, "ten thousand ...
what?"
"_Suru_. Don't you know that? Rub."
"A sort of _onani_, is it - masturbation?"
"No, not really," she said seriously. "When a girl
masturbates, with her fingers or a sex-toy, of course
she goes on till she reaches climax. Till she comes.
That's what she does it for. Just like you. But
_manzuri_ means rubbing lightly against something,
endlessly, so that you're always close to the brink
but never quite come. Lovely! Just right for doing in
public ..."
"Just right for you ... you love making it last, don't
you?"
"Yes," she said, still serious. "It's a kind of
masochism, I suppose. Not letting myself come - not
quite." With a sudden change of mood, she giggled
again. "Let's see if you can _almost_ make me come
this evening. Almost but not quite."
"So long as _I_'m allowed to come!"
"Of course! I'd be very upset if you didn't! All over
me ... now I'll go upstairs and get ready."
"All right. Don't take too long."
"Why don't you look at your present while I'm
upstairs? Then we can try it out. It only came in
yesterday and I'm longing to see what it feels like."
She skimmed up the stairs towards the bedroom -
"getting ready" meant getting nude or something close
to it - leaving me to examine the new set of
equipment. It included a pair of fairly standard
dildos, connected to a battery pack and with wires
running to a pair of nipple-clamps and a narrow
collar. Nothing much original here, but if Fujiko
thought it would be fun for her to wear and for me to
look at she was probably right.
I heard the bedroom door close. Fujiko came down the
stairs again, stepping carefully and sexily in the
tight black fetish shoes with 15-centimetre heels
which she adored wearing and which she now kept at my
apartment. They forced her to stand and walk on her
highest tiptoes and I could feel my balls tingling as
her pretty little feet, so delightfully constrained in
the shoes, came into view on the stairs. She was
otherwise nude and had removed her ropes. She posed
for a moment on one of the lower steps, then came down
to floor level and did a little pirouette. Fujiko, you
will remember, had trained as a gymnast and dancer,
and knew how to be elegantly as well as provocatively
nude.
"Nice?" she asked.
"Very nice. Come here."
I took her in my arms, kissed her, and ran my hands up
and down her nakedness. Then I turned her round and
did it again.
"Lovely," I said. "Smooth. The way I like it."
"I know you do. I shaved specially."
"Tell me about your new toy. What does it do?"
She pulled away from me and ran to pick it up from the
couch where I had left it.
"Well, the big dildo goes in my cunt and the little
one up my arse ..."
"Yes. I'd worked that out."
Together we fitted them snugly in place.
"And the clamps just as usual ..."
They were the type made like two pairs of tweezers to
grasp the nipples, with rings round each shaft which
could be slid forward to compress the jaws till they
provided the desired level of agony. I attached them
loosely to her erect nipples and then began to tighten
them.
"Ooh, tighter ... oh, please … ah, _yes_, lovely
...!"
"Do they hurt?"
"Yes, yes! Wonderful! Oh, _thank_ you!"
It's nice to be appreciated, I thought. After a few
moments Fujiko got her breath back and could speak
again.
"And the collar goes round my neck, of course. Fairly
tight but not too much ... I want to be able to
scream."
"You will, darling, you will," I promised her.
The collar had a thicker and broader area at the
front. I was beginning to understand how this new
torture device worked. It was going to be fun, I
thought.
"Is the wiring all plugged in?" she asked anxiously.
I checked. It was.
"Where do you want to be?" I asked. "On the couch?"
"I think the coffee-table would be best. If it's
strong enough."
I cleared the long, low table and she knelt carefully
on it on knees and elbows, her bottom provocatively
poised to receive whatever I wanted to do to it.
"Do you want to be tied up?" I asked.
"No, no - I won't try to escape!"
I stroked her bottom lightly, enjoying the way the
firm flesh shivered and trembled.
"Please look in my bag," she was saying. "There's a
new whip ..."
It wasn't the plaited leather whip she usually
favoured, but a cat of many long tails, narrow and
highly polished leather strips charmingly coloured in
a mixture of red and black.
"This one?" I asked, holding it where she could see
it.
"Yes! Don't you think he's beautiful?"
"Very elegant. Shall I start?"
"Oh, yes please! Just a few strokes to start with,
nice hard ones ... then turn on the battery ... and
you'll see."
I gave her more than just a few. The cat was nicely
balanced and was a pleasure to raise and swish down
onto her; while the slim coloured lashes created
beautiful effects against her creamy skin. She didn't
scream, but gasped in pleasurable agony. Then I let
the whip dangle from my wrist by its loop while I
examined the battery pack. There were two rotary
controls: I guessed one varied the intensity of the
dildos' vibration while the other increased the
electric charge to her clamped nipples, providing the
fusion of extreme pleasure and intense pain that
masochist girls long for. I turned both controls
slowly to the maximum. Fujiko squirmed and wriggled
delightfully, but still did not scream.
"Whip me more," I heard her murmur. "To get me
started. Hard ... hard, and slow."
I took up position and raised the cat. Then I slashed
it down on her bottom with all my strength. Then
raised it again. This time she screamed, not loud but
beautifully, an arc of anguish, the sweetest music I
know. I had already guessed how the equipment she was
wearing worked: the collar contained a microphone
which converted the sound of her screams to electrical
impulses controlling the voltage delivered to her
breasts and the vigour of the vibrators in her cunt
and arsehole. She shivered as the equipment delivered
the spasms of torture and pleasure she craved; then
screamed again beautifully in response. Another spasm
of electricity. Was the equipment designed with a tiny
built-in delay so that she experienced the agony a
moment after her scream had triggered it, the torture
then setting off another charming scream? I looked at
the battery pack controls again. Yes: what I had
thought was a voltage control in fact lengthened and
shortened the delay. I experimented and set the delay
to the maximum; then took a chair and enjoyed the
pretty sight and sound of Fujiko's torment.[7]
But I like to be a participant in torture, not just a
spectator - fun though that is. I stood up and,
without warning, began slashing the cat down again and
again on her eager bottom. At once, the intensity of
her screams increased. The equipment responded by
escalating the level of vibration to her cunt and arse
and of electrical torture surging to her breasts.
At last I brought the session to an end, throwing her
onto her back on the couch. I pulled the dildo from
her cunt but left the anal dildo and the nipple-clamps
in place. When I entered her pussy, her cunt-muscles
seized me joyfully and she started to come almost
immediately. Now it was her incoherent thanks which
set off the electric charges. The tingling was
perceptible through the membranes separating her cunt
from her arsehole: together with the pleasant exercise
I had enjoyed while whipping her it was so stimulating
that I could wait no longer and we exploded together.
"Wasn't that _wonderful_?" she asked much later, lying
nude in my arms, free now of her toys and wearing only
her pretty fetish shoes.
"Yes," I said. "Wonderful."
"Whip me again," she whispered coaxingly as she
snuggled against me. "All over. With my new cat. You
enjoy using him, don't you?"
"Sure. As much as you like."
"Oh, you are so good to me!"
FOOTNOTES
[7] Although of course I did not tell Fujiko this,
there was nothing new about the equipment she was
enjoying so much. I had first seen it used on two
girls at once. The technique is to arrange the girls
on their hands and knees facing away from each other
and joined by a double-ended dildo in their cunts and
by ropes tying their ankles and calves. The real fun
comes if you swap round the two microphones, so that
one girl's screams stimulate the other, making her
scream too and do the same to her friend. When they
work out what is happening, the pattern of their
screams as they pleasure each other is most beautiful
and very stimulating. See the description in
_Unfinished Affairs_ Chapter IX: Ropes and Whips. Do
try it!
[Next in Part 04: Ayumi: The Trainee]
For complete series so far see
http://www.asstr.org/files/Authors/Bob_Williams