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Hats off to Mr Slot
and Father Ignatius for a pair of fine stories. And to Dr Spin for his
refereeing. I'm really impressed that the writers managed to produce
these stories in under three hours. Sometimes it takes me that long
just to put down a small sentence. Dr Spin did a fine job of presenting
the stories, too, though if I'd been the one doing the judging, Slot's
story might have come out on top, say 99 to 94.
- Mat Twassel
PS For those who
care about such things, here's the round by round details of my scorecard,
using the ten point must system but waiving the three knockdown rule:
-
Plot--Was the
plot entertaining, original, well- handled? Inappropriately complex?
Mr Slot's tale was more of a piece; Father Nat meandered here and
there, though not much, and the quirkiness of the direction, the asides
and side-passages had some entertainment value. Slot's plot was certainly
well- handled even if not particularly original. Slot gets the nod
by a narrow margin.
-
Characters--Were
the characters well-defined? Engaging? Interesting?
Odd that Slot's comic book style characters were more interesting
and well-defined and better realized than Father Nat's, whose people
had a slightly more realistic shaping. The female lead in Nat's piece
never quite came into focus, and in many respects the narrator remained
a little fuzzy, a fuzziness without allure. The relationships in Slot's
story, while not particularly deep, came to life. Plenty of potential
in the relationship in Nat's story, but it never fully developed that
spark.
-
Language--Was
the language interesting and appropriate? Did it contribute to or
interfere with the story?
Both writers did well with language. Slot's might have been more impressive
in that the word choice and diction and dialogue contributed more
directly to the story. Incidentally, Nat's handling of bromeliads
struck me as more peculiar than anything else, whereas Slot's street
name made me smile. In truth the use of the required words often seemed
just a trifle forced in both stories. Now it could be that it seemed
so because I knew the words in advance.
-
Flow--(phrase
and sentence dynamics) Was the story a smooth read, or were there
snags, spots which stopped me or took me out of the story?
Impressively fluid writing by both authors.
-
Pace and Piece--(overall
story dynamics, construction, and balance) Did the sentences and sections
move in appropriate fashion? Was there rising action? Was the climax
satisfying?
A clear victory for Slot in this round. His story might have been
easier to tell, true; I give him credit for picking something he could
really do justice to in the time frame. Nat's story suffers just slightly
from a soft pace, a setup and seduction just a tad slow (not that
I have anything against slow seductions), and a culmination which
doesn't quite rise to the heights.
-
Setting--Was
the setting interesting? Appropriate?
Slot did a good job with the spare stark investigation room--simple
props perfectly placed. Nat's pool came to life, too, especially those
water polo goals, although I feel that Nat, had he more time, could
have refined a few things, added a few telling details. The sandpaper
surface of the diving board, for example, was barely adequate, and
opportunity for contrasts there was perhaps overlooked. Overall I
call this round even.
-
Technical--Did
format, spelling, punctuation, usage, etc. get in the way of the reading?
Slot had a few small slips, Nat fewer. Both stories are easily read.
-
Erotics--Did
the story turn me on?
The erotic tensions and conflicts were stronger and sharper in Slot's
story. By contrast the eroticism in Nat's work seemed a touch dilute.
What I really liked in Slot's story was the satisfaction the female
detective took in her triumph. And their relationship, though perhaps
not profound, was well-illustrated. The sex and sexuality in Nat's
tale was of considerably less impact and consequence.
-
Ending--Was the
ending satisfying? Or did I feel let down?
At the time of the reading I thought Slot's ending was much the stronger.
Hey, I was rooting for both his characters to triumph. The moment
it ended I thought of various twists, other conclusions, and that
process enhanced the experience. The ending seemed right. Nat's ending
was softer, so soft that now, three days after having read the story,
I remember it only vaguely. The images at the end of Slot's piece
remain vivid
-
Life--Did the
story achieve a life of its own? Did it take me someplace special?
How well did it get off the page and into my head and heart?
Both stories succeed. While I read them I was immersed in the world
of the stories. The characters and situations became a part of my
life. I would have liked to learn more of the characters in Nat's
story, and I would have liked to have gotten a better feel for some
of the actions--the diving board sex, especially. I feel Nat's story
needs another draft or two. Slot's probably just the smallest touch-up
and a final proof.
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