LUCIFER'S DISCIPLES Part 4
copyright 2006 by Pueros, all rights reserved
This story is intended for ADULTS ONLY
This is the fourth part of a story about a boy who becomes entrapped in the evil rituals of a wicked satanic cult.
Part 4 - Waiter
(Barn of a remote farm, Midwestern USA, 1 year ago)
The Major Domo led Stephen into the huge windowless barn, which had been converted into the demonic cult's satanic arena, through a special broad doorway, reserved for actual ceremonial participants. A trio of similar entrances for the many spectators was provided in the centre of the other three sides of the square wooden building.
These four doorways initially led into relatively narrow and low extensions to the much wider and taller barn. These annexes essentially acted only as entrance corridors before the main building was reached.
The insides of the barn, including the extensions, were painted completely black and were illuminated only by wall torches, which looked medieval but were actually modern, fuelled by gas and provided decent but eerie lighting. A special anti-inflammatory coating on the wooden surfaces to which these devices were fixed prevented the building burning down.
Steep terraced bench seating, capable of accommodating up to 500 people, was provided on the three sides of the barn possessing the spectator doorways. The lowest anterior row was fronted by an aisle, which was accessible via tunnel passages leading from the three public entrances and was separated from the large square flat enclosure beyond by a low wooden barrier. Other levels were reached by means of steep stairs at the four corners.
The walls behind the side seating were decorated with big versions of the satanic cult's silvery 'udjat' emblem, whilst that to the rear of the central benches displayed a similarly large pentagram. Meanwhile opposite, where there was no terracing, the symbol of the inverted crucifix of even greater proportions was exhibited above a central door covered by black curtains.
The large empty square flat area enclosed by the terraced seating was covered by fake black marble. Onto this shiny flooring, another big silvery pentagram symbol, of the kind now very well known to Stephen, had been embossed.
Meanwhile, towards the part of the barn where there was no terracing, a sinister altar stood in a central location. This was essentially a rectangular block of black stone about 2 metres long and 1 both wide and tall, with the longest edges parallel to the side seating.
The shortest edges displayed the emblem of the inverted crucifix and the longest the 'udjat' symbol. On the flat upper surface was another pentagram, with this one distorted so that the topmost two points extended to the relevant corners closest to the curtained doorway, whilst the lowest reached the middle of the opposite side.
What made the altar particularly sinister were the many bondage rings of strong silvery metal firmly embedded along all edges of the upper surface, as well as along the base. These adornments essentially meant that a person of any size could be chained in a variety of ways to the stone block.
Equally sinister and suspended just above the altar, by means of an ingenious pulley system, was a large real inverted crucifix of black wood, with the silvery pentagram emblem displayed in the middle. More bondage rings of strong silvery metal were firmly embedded near the ends of each crosspiece, alongside udjat symbols. Close inspection of the shiny ebony surface revealed ingrained bloodstains.
The ingenious pulley system enabled the crucifix to be moved down the full length of the enclosure. The cross could also be inverted to become akin to the Christian version and be raised and lowered, including flat onto the floor if necessary.
The black curtains of the doorway just beyond the altar were themselves adorned on both sides with the emblem of the inverted crucifix. Stephen was now looking at two of these symbols.
Stephen was currently standing in his chains and skimpy tight white lycra briefs, which nicely highlighted the contours of his groin and bottom, in the corridor extension that represented the entrance into the satanic arena for the ceremonial participants. As the boy had slowly advanced down the relatively short annex, with the Major Domo now behind him, he had already passed the silvery pentagram and udjat emblems, which were painted onto the black walls and were illuminated by the flaming wall torches.
As Stephen awaited his ceremonial entrance into the satanic arena for his formal initiation as the demonic cult's annual special young slaveboy, he could hear the clamour on the other side of the black curtains, caused by chatter and laughter amongst the many excited spectators. The members present were, of course, all attired in their robes, whilst those still requiring sustenance of some sort were served drinks and snacks by volunteer slaves dressed just in their sparse thongs.
Despite the fact that the din suggested otherwise, the satanic arena was not full to capacity, as the place would be for Stephen's last appearance here, scheduled for almost a year's time. The date for the latter occasion had already been set but the special slaveboy's initiation ceremony was a movable feast, being dependent upon the progress of his preconditioning.
The exclusively male members had only been given a week's notice of Stephen's first ceremonial appearance, compared to a year for his last. Consequently, as many were busy people, who lived all over not only the USA but also the world, not all could attend despite a universal desire to do so. Nevertheless, such interest had still generated about 300 spectators, who so spread themselves out amongst the terraced seating that the benches looked as if they were accommodating a full house.
The noise of the crowd made the music blurting loudly from hidden loudspeakers barely discernible to Stephen's ears. However, the well-educated boy thought that he recognised Beethoven's 6th Symphony amidst the clamour, which might be considered inappropriate for a satanic event if the setting had not been rural America and the classical piece had not been nicknamed the 'Pastoral'.
As Stephen continued to await his formal entrance into the satanic arena behind the black curtains, he suddenly felt, as he again contemplated imminent events, an excited tingling sensation affect his groin, which subsequently spread to other parts of his lovely body. The boy immediately recognised the cause as rather perverse sexual excitement at what he was about to do and endure, which was evident from the more pronounced outline of his hardening cock within his skimpy tight white lycra briefs. However, he was not concerned about this development but was instead delighted.
Stephen had been indoctrinated to rejoice in sexual excitement and perversity. Performing or being subjected to amoral sinful acts were methods of worshipping his ultimate divine master, the lord of hell, the prince of darkness, the great Lucifer, as was enduring shame and suffering. The boy was therefore actually looking forward to displaying his depravity publicly to the members of the satanic cult into whose service he was imminently to be formally initiated, as a sign of his true devotion to and his suitability for their cause.
Stephen eventually excitedly awaited his formal initiation before the black curtains for about ten minutes with gradually increasing suppressed impatience and continued sexual arousal. However, the deliberate delay, which represented another aspect of his mental preconditioning by further stimulating his eagerness for the imminent ceremony, eventually ended.
The first indication that Stephen's impatient wait would now soon be over came when Beethoven's 'Pastoral' Symphony concluded and was replaced by music from Grieg's 'Peer Gynt', comprising the movement entitled 'Morning'. The chatter and laughter emanating from the spectators within the satanic arena simultaneously immediately ceased.
Stephen appreciated from his training that, when a certain early musical crescendo was reached in this new classical movement, the black curtains before him would mechanically separate to signal that he was to walk into the satanic arena. The boy was subsequently to advance, as best as he could considering his maintained chained bondage, past the stone altar, symbolically on the left side, to the centre of the floor pentagram, where he would turn round to face the stone block for his formal initiation to begin.
Stephen had never previously visited the satanic arena, which was to be a place of great importance to him over the year ahead. However, the boy believed that he already knew the amenity intimately from his training, during which he had been shown many long videos of what occurred there.
The now very clear outline of Stephen's penile arousal within his skimpy tight white lycra briefs visibly quivered when the relevant early crescendo in the 'Morning' movement of Grieg's 'Peer Gynt' duly arrived. The intensely excited boy also almost orgasmed on the spot when the black curtains in front of him simultaneously separated to reveal the crowded satanic arena to him for the first time.
(To be continued)