The Wrong Way - or Is It?

by

Ernest Bywater
All rights reserved © 2007, 2008, and 2010

This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.
All rights reserved, including the right to reproduce this book or portions thereof in any form.
Copyright © 2007, 2008, and 2010 by Ernest Bywater

_________________________________________________

Table of Contents

The Pool
The Hut
The Search
The Next Day
Another Day
The Pool - Again
The Searchers - Again
Family History
The Outcomes
A Year Later
_______________________________________________

The Pool

Eighteen year old Yumi wanders away from her class on the nature tour in the old natural woodland of an ancient estate. This part of these ancient woods is a bit spooky. Yumi wonders what secrets it may hide.

In the bushes near the edge of the shallow marshy pool stands a large hairy shape watching the exotic looking school girl in the short check skirt and tight fitting white top. Her clothes are more form fitting than he's used to seeing girls and women wear. They show her shape clearly. The Japanese girls of her age usually have smaller breasts and he's not used to seeing a girl look so much like a mature woman. The sight is delicious and his reaction to the sight of her evident femininity is obvious as he has no clothes on. Like a ghost he silently moves closer to her. In just a moment he's standing beside the tree two paces behind her. With a wide grin he steps forward and reaches a hairy arm around her to cover her mouth as his other arm goes around her slim waist to pull her back against his body.

Yumi feels two large arms go around her, one across her mouth and one across her body just under her breasts. As she's pulled back against the body behind her she feels his manhood pushing against her as the pressure of being pulled against her captor forces them in close contact. She starts to struggle. The shock of realising her legs are no longer touching the ground causes her to cease her struggling.

A soft baritone voice whispers in her ear, "I know there's enough forest between us and the others to absorb your screams so they won't hear them, but I don't like loud noises. Loud noises make me angry and I do bad things when I'm angry. Be quiet and do as you're told and you'll live to leave my realm alive. Do you understand? Nod your head if you do." Slowly she nods. "You're a very sexy woman and I'm sure you can already feel how sexy I think you are. Do you have something you can use as a blindfold?" Thinking of her school tie she slowly nods again. "I'm going to release you. You'll not scream or turn around. You'll get that object and put it on as a blindfold."

The arms release her and Yumi slowly slides down his body as she drops a hand's width to the woodland floor. With tears in the back of her eyes Yumi is quiet as she slowly takes her tie from around her neck and places it around her eyes. As she ties it behind her head she realises she's about to lose her virgin innocence here in the woodland to a man she doesn't know and will never see. This thought both appals her and excites her at the same time. The man's still right behind her and she can feel his body against hers; this excites her more. With the blindfold in place she drops her hands to her sides and stands there.

He silently watches her tie the blindfold and drop her hands to her sides. Her quiet compliance excites him further. He smells a familiar smell, one he hasn't smelt in a long time. He makes a loud noise as he sniffs deeply of the faint aroma of the girl as her arousal becomes evident. He grins as he now knows she's in full agreement with some of his plans for her. He leans close to her face and she flinches slightly as his hairy cheek brushes her neck. He takes a strong sniff of her skin and licks her neck.

The feel of her unknown assailant touching her neck to sniff and lick her again both frightens and excites young Yumi. In her surprise at being gently licked on the neck she sucks in a large breath, causing her to both smell and taste the musky maleness of her assailant's aroma in her nose and on her tongue. She knows he's going to rape her, and now there's nothing she wants more than to have him inside her. She doesn't know why this is so and the thought of wanting to be raped scares her, but it doesn't stop her from becoming more aroused with each passing second.

The Hut

Smiling, the hairy man steps back. He reaches forward and takes her hand, "Come with me." Like two ghosts they silently move through the woodland to a small forest hut not far away. As they walk through the woodland she keeps a track of the steps and directions, just the way her sensei trained her to. Suddenly feels cold and shivers as it feels like she's walking through a very dense and cold fog. Fogs are common in this area so she soon forgets the mild discomfort.

Yumi meekly walks just behind and beside her assailant as he leads her away. She hears a hut door open and feels a firmer surface under her feet for two paces before he stops her. The air feels much warmer and she can hear a fire off to the side as the man lets go of her hand.

Stopping the girl in the middle of his little shack he lets go of her hand as he turns to close the door. Turning back to the girl he walks around her to face her and says, "Now you're in a time and place of my choosing. When I'm finished with you I'll return you safely to yours. Just do as I tell you and you'll come to no harm. Now take off your clothes."

Slowly she undoes the buttons of her vest and slips it off. As she prepares to drop it on the floor she feels it get lighter and it starts to lift up as she lets it go; the man must be taking her clothes as she removes them. She undoes her blouse for the same treatment, followed by her bra. Undoing her skirt she slides it off and lifts it up as she stands up.

Seeing her remove the outer garment the man takes it off her and places it on a shelf. He does the same with the rest of her clothes. She's soon naked except for her shoes, socks, and blindfold. She slips her feet out of her shoes and bends to remove her knee high black socks, he says, "Leave them."

He leads her to the side and helps her lay down on his simple cot. Once she's settled on the cot he pulls her legs apart and places her heels against her bum so her thighs are as wide spread as they can get while she stays on the cot. He now has a perfect view of her and all her femininity.

As his hand reaches between her thighs he smiles as he says, "You're a most perfectly looking woman Miss Ashagi."

Yumi is shocked to be addressed by her family name. She knows her family has an ancestral home close by but she lives and goes to school in the city nearly an hour's drive away and her uniform is from a city school. She wouldn't be here if it wasn't for the compulsory school excursion for the woodland nature tour.

"It's been a long long time since I've had an Ashagi woman, and even longer since I've had a virgin. This will be doubly sweet as I take you and give you my child."

This last comment shocks her as she wonders how he knows she's not on the pill at the moment. Everyone takes the contraceptives, male and female, unless married and approved to have a child by the government; she's neither. The only other time you may be off he pill is when the doctor takes you off due to a clash with other medication; which is the case for her. She's near the very end of a six week course of antibiotics for an infection. Medical records are high security and there's no way he can have access to that information, no way. In fright, she says in a soft contralto, "How do you know you can get me pregnant?"

"I can smell your body's readiness for impregnation. This is your most fertile time and I'm going to make use of that." She gulps at his reply as she had no idea men could smell that about a woman.

She hears the cot creaks as he lowers himself onto the cot and then feels him as he places himself at the entrance to her womanhood. Slowly, very slowly, he enters her; she winces with pain as he broaches her maidenhead. It feels like it takes forever for him to slide all the way into her as his huge member spreads her wide with its girth. Eventually his groin is against hers and he starts to withdraw. When he's almost out he starts forward again, but a bit faster. He moves in and out of her, faster and faster with each movement. Very soon he's moving like a very fast engine piston as he goes in and out. Before too long she reaches an orgasm, her first of many orgasms with him in her. Several minutes later he lifts her hips as he gains a deeper entry to place his seed in her womb. He rolls her over to her side so they lay together, side by side, while still coupled. They go to sleep as they're both very tired from the exercise.

_________________________________________________


Although his initial entry hurt a little Yumi is soon enjoying the encounter as he brings her to completion, time and time again. She's very tired and exhausted from the pleasant activity and almost asleep when she feels him filling her womb with his seed. She knows she should get up and escape now, but she's too tired and just goes to sleep in her exhaustion. Later, she wakes up as she's well on her way to another orgasm while he's taking her again. During the day he takes her several times, each time placing his seed in her womb. And she greatly enjoys herself with many orgasms during the coupling of each time he takes her. This is mainly due to the gentle way he touches her when he does.

The Search

It's the start of the class lunchtime and the teaching assistant is handing out the lunches when she notices she has one extra; that's impossible as she checked the numbers when they got off the bus. She tells the teacher and he does a quick survey of the class, a student is missing - Miss Yumi Ashagi. He gulps. The Ashagi family may no longer be the rich warlords their ancestors were but the family is still greatly respected and powerful. If any harm has come to her he can kiss his career goodbye, no more promotions - ever. The one saving grace is this woodland, one of the few left in the region, is open for public use but is Ashagi land as it's part of their original ancestral home and she lived near by as a small child, so she should know it much better than could usually be expected. He hopes and prays she's all right as he starts the proper procedures by calling the ranger station to report a missing student in the woodland.

On receiving the notification the rangers close all entrances and exits as they commence a scanner sweep of the woodland by unmanned aircraft; these are large remote control model planes with infra red and visual sensors on board. At the same time they do a quick check of the gateway identity scanners that check everyone's ID implant as they pass by. They find many people in the woodland; they're quickly checked out by the rangers and are marked off as they're identified. It takes about twenty minutes to locate and identify everyone in the woodland. This worries them as the gateway scanners show her entering the woodland but not leaving it and the flying scanners would detect all living persons; in fact they detect all creatures larger than a cat. The only way a person wouldn't be detected is if they're dead and cooled off or not in the woodland at all. But they can't locate her in the woodland and there's no record she left it.

Extra help is called in for them to start a complete visual search of the park by forming a line at one boundary with people a pace apart and walking across the entire woodland. They need twelve hundred soldiers to form the line and organise for them to arrive before dawn the next day.

Yumi's family are informed as soon as the initial search starts and are soon on hand in the ancestral home. Her mother and two younger sisters are staying in the hotel their ancestral home has been converted to as a source of income to maintain the lands. Doing this caused some loss of prestige but much less than losing the land itself would have, and it means the lands stay in the family despite their loss of power over the centuries. This home of a once proud Shogun is now a tourist hotel and museum showing how the rich and powerful used to live in previous centuries.

_________________________________________________


During the night Yumi wakes a number of times to find her assailant again taking her and inseminating her. She should be angry but the great amount of pleasure he gives her only makes her smile as he takes her again and again, to her great pleasure.

The Next Day

The soldiers arrive before dawn and spread out along the eastern boundary awaiting the sun. When it's light enough to see clearly they start out to slowly walk across the whole woodland. It's nearly dusk when they reach the western boundary with no sight of the girl or her personal effects. This total lack of anything worries them as she should not have been able to leave the area without being detected and any accident should have left some trace.

_________________________________________________


In the morning he takes her again as the dawn breaks. Then, for the first time since he entered her mid morning on the day before, he gets off the cot. A moment later he helps her up and takes her outside to relieve herself as he watches. She can hear him doing the same. Back inside to eat some fruit he gives her and back to the cot.

Once back on the cot she automatically goes to the wide open position he placed her in yesterday. She smiles as he chuckles and mounts her again. She wonders about how hairy he is as she found out during their couplings his whole body is covered with thick body hair, very unusual in Japanese men. As he moves within her, taking her closer to another orgasmic peak, she runs her hands over his back. She did this many times yesterday and last night but this is the first time she's done it while not half out of her mind with pleasure. She notices many deep scars where his back has been cut and pierced by things in the past and wonders what caused them. Her mind stops thinking as he brings her to orgasm again and again.

All day they take short naps between rutting sessions; it's not love making, just straight forward rutting. Each time he fills her with his seed and she falls asleep. This process continues through the day and the second night.

Another Day

Just before dawn of the second day since he first took her he withdraws and takes her outside for the fourth or fifth time to relieve herself. As they go back in he hands her some fruit to eat again. When they finish eating he stands her up and places her clothes in her hands. Suddenly saddened about the end of their encounter she starts to get dressed.

Once she's dressed he says, "Take care to protect our child growing in you and see it's born healthy." She nods as she wonders how he can know she's pregnant; although with the amount of his seed in her she should be. "In the old well of the main house compound, the one near the eastern corner of the main house, there's a stone about five person length's down. It's marked with the sign of the first great Ashagi Shogun. You'll find it on the western wall of the well. Break that stone by hitting it hard with a hammer and chisel. This will give you room to remove several more stones that cover a passage way leading under the house to a long sealed storeroom full of your family's ancient treasures. Find it and use it well. Use it to raise our child as a Shogun should be raised."

Numbly, she listens to him as she wonders if this is true and how he knows this if it is. Gently he leads her from the hut and back through the woodland to the place where they first met. Again she shivers as they pass through a very dense cold fog.

The Pool - Again

He lets her go and withdraws into the bushes as he says, "The Ashagi Lords have always been power hungry brutal men while their woman have been gentle loving creatures. Our child will be a man and become a great Ashagi Lord, but unlike the others he'll be like you; gentle and loving instead of a power hungry brute. His lack of desire for power is what will bring him more power than any previous Ashagi Lord has known. Remember this and the treasure, and love him well for us both as I won't be there to do so. And remember, foresters are people too." With that, he's gone, vanished back into the woodlands and the fog.

She stands there for a few minutes before she realises he's left her. Slowly she reaches up and undoes the blindfold. Searching the woodland around her with her eyes she sees no sign of him, she looks for his footprints but sees only her own. Sighing, she turns and heads towards where she knows the main path to be.

The Searchers - Again

After an afternoon, a day, and two nights with no sighting of Yumi Ashagi the fifteen woodland rangers are getting very concerned for her safety. As they sit around their breakfast table discussing what else they can do they're very surprised to hear someone knock on the door of their quarters. This is a surprise as the woodlands aren't yet open to the public for the day. The senior ranger waves at the junior ranger and he goes to the door.

All the rangers turn to look out the door as it slides back as they're curious to know who would come calling on them this early. They're all shocked to see a schoolgirl in clean clothes standing there. The clothes are a bit rumpled, but no more than what you'd expect if she'd walked for a few hours.

Their shock is compounded when the girl speaks, "Excuse me, my name is Yumi Ashagi. May I please use your phone to call my parents as I've been out of touch for two days." Numbly, the senior ranger nods his head while he waves to the phone in the corner. She bows her thanks and goes to the phone. She calls her parent's home in the city and it redirects her to the ancestral house that's now a hotel.

She spends quite a lot of time going through her story for the rangers, the police, her parents, and the army. She's very upset by their inability to understand her story, She's told them everything except about the hidden wealth. The main reason for their not understanding is they weren't able to find her in the woodland for two days and have no record of her departure or return; this is impossible and they have a problem accepting or understanding the impossible.

Yumi has a good memory and leads them back into the woodland to the place beside the marshy pond. She then leads them to the hut, but the hut isn't there. The place is a small clearing in the woodland and there's evidence of where a hut had once stood, but not for many generation as all that's left is the overgrown stone work of what was the chimney. All are shaking their heads as they return to the main entrance to the woodlands.

Family History

Once back in the main house Yumi's mother starts going through the old records and finds an interesting entry. An old map that's over eight hundred years of age shows a forester's hut in that clearing. Checking the archives she finds a record over nine hundred years old of a forester who fell in love with one of the Ashagi daughters, and she with him. The record speaks of her father's anger when he finds out. He orders the man to be hunted down and killed in a very brutal manner. On finding out she's with child the father has her aborted against her will and arranges a marriage to an influential shogun. She delivers a great insult to this man by committing Seppuku, a form of ritual suicide, at the wedding ceremony. War erupts between the two great shoguns and both lose a great deal of prestige and power in the decades long series of conflicts. This is the start of the slow decline of the Ashagi power.

In a side reference Yumi's mother finds a note the dying forester had cursed the shogun. It was such an unusual curse one of the scribes recorded it: "The greedy Ashagi Shogun seek only power and wealth. Because of this I curse you. Your ancestor's wealth you seek will stay hidden and your power will decline until a child of mine is carried by the Ashagi heir. He will be a shogun of gentleness and love, he'll be the most powerful Ashagi Shogun of all. Mark this curse and note it down as your ancestors will need to know of its power."

Yumi's mother takes the ancient record and shows it to Yumi. She gulps and he eyes go very wide as she wonders if she carries the child of man dead nearly a millennium. She turns to her mother and tells her, for the first time, of the well and the hidden wealth it contains.

The family is no longer rich and no longer powerful, although they do still have some influence due to respect for what the family had once been. Using the last of her own family money, Yumi's mother hires some equipment to lower her and Yumi down the well. As they slowly go down the well they shine torches on the western face of the well. About ten metres down they see a stone with the mark of the Great Ashagi Shogun, the man who built the Ashagi empire some twelve generations before the shogun who killed the forester. Yumi holds a cold chisel steady as her mother hits it hard with a hammer. The rock shatters and reveals itself to be nothing but a thin coating of rock; eight more rocks around it are soon dealt with in the same manner. Putting on breather masks the two women enter the passage exposed by their work. At the end of the passage they find a large metal studded wooden door. Opening the door they find a large storeroom.

The room is lined with chests of jewels and gold coins while the greatest treasures aren't in the chest but beside them. Ancient weapons, body armour, tools, and other artefacts; all about fifteen hundred years old and all in perfect condition. And all of it belonging to Yumi as the senior mainline Ashagi heir since her father died two years ago with her two brothers in a car accident. Her mother picks up some gems from one of the chests and they return to the well, measuring their steps as they do.

When they're back on the ground beside the well Yumi tells her mother to stand by the well. Going to the main house entrance Yumi strikes the great gong there. This is used only by the Ashagi Shogun to call the household and troops together for major announcements. Many people come running as it should never be rung now. They're amazed to see a much changed Yumi standing beside the gong as she strikes it again. Standing tall as she draws herself up, a much more confident Yumi issues orders for armed guards to be gathered to protect the Ashagi heritage and lands, and sends others to contact the great scholars of antiquities so they may examine Ashagi artefacts from the period of the Great Ashagi Shogun. People scurry to do as instructed by the new Ashagi Shogun.

The Outcomes

The scholars come and verify the wonders found. Because these are full specimens in good order they tell much that had previously been guessed at, and often guessed wrong. The gems are worth billions in today's prices but the artefacts are worth ten times that. The best examples are kept for display at the Ashagi Museum at the Main House and the rest are sold to museums around the country, costing the government and other benefactors a major fortune. Many of the items are sold at well below their real worth in order to keep them in the country and most are sold on terms of payment over time; but that was preferable to selling them to private overseas collectors.

The Ashagi name and fortunes increase greatly through this find, as does the power of the newest Ashagi Shogun, the first female shogun - Yumi.

A Year Later

Nineteen year old Yumi wanders away from her class on the nature tour in the old natural woodland of an ancient estate. This part of these ancient woods is a bit spooky. Yumi wonders what secrets it may hide.......

...... and wonders if it still hides the secret powers it had when she was first here exactly twelve months ago, as she misses her forester lover. She stands there with her three month old son in her arms, looking around and seeing no one. But she senses her old lovers eyes on her and imagines him smiling at their son. With a smile of her own she turns to return to the path she'd strayed from. As she does a wind blows through the woodland and she seems to hear a faint voice on the wind - "Love him well for us both as I won't be there to do so. And remember, foresters are people too."